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The Formulas of Popular Fiction: Elements of Fantasy, Science Fiction, Romance, Religious and Mystery Novels, by Anna Faktorovich
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This book creates a taxonomy for the major bestselling fictional genres: romance (e.g., authors Heyer, Cartland, Woodiwiss and Roberts), religious and inspirational (Corelli and Douglas), mystery and detective (Conan Doyle, Christie and Mankell), and science fiction, horror and fantasy (Wells, Tolkien, Orwell, Niven, King and Rowling). Chapters look at a genre from its roots to its most recent works. The structural patterns in the plot, characters and setting of these genres are then explained.
The book also provides a critique of currently popular hyper-formulaic, hack, unliterary writings that have multiplied in recent decades. Special topics such as the publishing oligopoly and the resulting homogeneity among bestselling works and the steady movement from literary to unliterary fiction are also examined.
- Sales Rank: #3976115 in Books
- Published on: 2014-09-08
- Original language: English
- Number of items: 1
- Dimensions: 9.75" h x 6.75" w x .50" l, .0 pounds
- Binding: Paperback
- 224 pages
Review
"Anna Faktorovich, a multi-talented publisher, editor and author, has written an impressive study of genre writing. It is comprehensively informative and enticing on an intellectual level and simultaneously encouraging and useful to those who may wish to embark on a writing career that actually produces some income. Formulaic authorship is not as creatively rewarding as producing Lolita or King Lear, but those future Luke Skywalkers and Harry Potters will generate enough money to pay the rent." --Robert Hauptman, editor, Journal of Information Ethics
About the Author
Anna Faktorovich is the founder and director of the Anaphora Literary Press and the editor-in-chief of the Pennsylvania Literary Journal. She has been a professor of English for the Middle Georgia College and for the Edinboro University of Pennsylvania.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Different readers, different novels
By Adelia Rocha
I was somehow disapointed with this essay, especially when the author says the following: �This is not a book that offers congratulations to formulaic genre writers (...). If more critics wrote about plagiarism, plot repetitions and bare-bones monosyllabic writing, we would once again be able to buy modern literary fiction.� (Loc. 4842). Repetion is the backbone of "popular fiction" (paraliterature). This kind of fiction is aimed at its readres, not the critics. "Popular" writers produce for the market in order to satisfy the needs, i.e., the taste of the readers. It is useless to try to fight this. In a market oriented society, where most books are just a product among many others, there is no way critics can alter this. On the other hand, there are modern literary writers. Those who can't stand formulaic fiction don't have to read it, as there are plenty of good literary novels for demanding readers. I sometimes ask myself why French scholars such as Fondan�che and Boyer, among others, who have extensive reaserch on formulaic fiction don't appear on the bibliography of English speaking scholars. It would be very enlightening.
1 of 1 people found the following review helpful.
For Neophytes
By David S. Wellhauser
Anna Faktorovich's Formulas of Popular Fiction is a competent introduction for Indie or aspiring authors concerning the structures of genre fiction, basic industry background, and the analyses of some of popular fiction's most read authors.
Much of the plot analyses are based upon the work of Christopher Booker and his book The Seven Basic Plots. Faktorovich boils these down to their essentials and offers some very basic critiques of Booker's theory. If readers are looking for more depth than Formulas of Popular Fiction offers they should look to The Seven Basic Plots.
However, if readers are looking for something quick and practical Faktorovich's book might be a good place to start...but it represent only a very basic beginning.
Rating: 3 out of 5 Stars
Recommended for aspiring authors with little or no background in plotting or the English Canon. Not for those who wish to write non-formulaic fiction.
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