Minggu, 25 Januari 2015

[S127.Ebook] PDF Ebook The Talkies: U.S. Cinema's Transition to Sound, 1926-1931 (History of the American Cinema), by Donald Crafton

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The Talkies: U.S. Cinema's Transition to Sound, 1926-1931 (History of the American Cinema), by Donald Crafton

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The Talkies: U.S. Cinema's Transition to Sound, 1926-1931 (History of the American Cinema), by Donald Crafton

  • Published on: 2006-11-14
  • Original language: English
  • Binding: Unknown Binding

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Kamis, 22 Januari 2015

[V522.Ebook] PDF Ebook CosMos: A Co-creator's Guide to the Whole World, by Ervin Laszlo Ph.D., Ph.D. Jude Currivan

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CosMos: A Co-creator's Guide to the Whole World, by Ervin Laszlo Ph.D., Ph.D. Jude Currivan

CosMos: A Co-creator's Guide to the Whole World, by Ervin Laszlo Ph.D., Ph.D. Jude Currivan



CosMos: A Co-creator's Guide to the Whole World, by Ervin Laszlo Ph.D., Ph.D. Jude Currivan

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CosMos: A Co-creator's Guide to the Whole World, by Ervin Laszlo Ph.D., Ph.D. Jude Currivan

We stand at the threshold of a revolutionary and empowering new vision of the world. The discoveries of leading-edge science and the insights of spirituality are converging to reveal that the CosMos and all that we term reality is wholly integrated, and that at its most fundamental level, it is a field of information. This is the elemental cosmic mind from which everything emanates, is manifested, and to which all ultimately returns. Research is also demonstrating what the mystics of all traditions have discerned: that we have the innate ability to envision, understand, and experience the CosMos at levels far beyond the limitations of our human persona.

CosMos is co-authored by two explorers who combine almost a century of seeking to understand not only how the world is as it is, but why. Philosopher Ervin Laszlo, Ph.D., and healer and scientist Jude Currivan, Ph.D., offer a revisioned view of the world that is no longer fragmented, but is at last, whole. Theirs is a perception of a meaningful and co-creative world that is exquisitely tuned to be “as simple as it can be” for consciousness to explore itself. In these momentous times, the vision shared in Cosmos invites us to open our hearts and minds to re-member who we really are and to take our places as conscious co-creators of our realities and of our evolving cosmic destiny.

  • Sales Rank: #280644 in Books
  • Published on: 2008-08-01
  • Released on: 2008-08-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.38" h x .58" w x 5.38" l, .67 pounds
  • Binding: Paperback
  • 264 pages

About the Author

Ervin Laszlo, Ph.D., holder of the highest degree of the Sorbonne (the State Doctorate) is the recipient of four honorary Ph.D.’s and numerous awards and distinctions, including the 2001 Goi Award (the Japanese Peace Prize) and the 2005 Mandir Peace Prize. He has twice been nominated for the Nobel Peace Prize. A former professor of philosophy, systems theory, and futures studies in the U.S., Europe, and the Far East, Ervin is founder and president of the international think tank the Club of Budapest and the General Evolution Research Group and the author of more than 70 books.

Jude Currivan, Ph,D,, the author of The 8th Chakra and The Wave, is a healer, cosmologist, and mystic who has experienced multidimensional realities from early childhood. She holds a Ph.D. in archaeology, researching ancient cosmologies, and a master’s degree in physics specializing in cosmology and quantum theory. Jude has worked with the wisdom keepers of many spiritual traditions and, having been a high-powered businesswoman in the past, brings a well-grounded practicality to her work. She educates and advises worldwide to empower others, raise consciousness, and facilitate wholeness on personal and collective levels.

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1 of 1 people found the following review helpful.
A bit too heavy on metaphysics and social science
By Johnny
I was hoping CosMos would concentrate on physics, and it does -- in the beginning. But toward the end it really delves quite heavily into metaphysics and social science. Maybe this was unavoidable for a book of this type, but I found the last two chapters very depressing: It seems we're either inevitably heading toward a total economic, societal and ecological collapse or we will experience a consciousness shift that will save us from extinction. But look around. Does it really seem like the majority of humans are evolving into a higher mental plane? Or is it more likely that the human race is devolving into kind of people depicted in the movie "Idiocracy"?

The beginning of CosMos was actually quite good and it explores some fairly cutting-edge science. It shows that physical reality -- space, time, matter and energy -- are comprised of information and that consciousness forms the bedrock of reality. It correctly identifies entropy and information as being one and the same thing. So many popular science books present a very confused and erroneous treatment of entropy. CosMos points out that Boltzmann's equation for entropy is the same as Shannon's equation for information -- entropy is simply information multiplied by Boltzmann's constant.

CosMos touches on the fractal nature of space and time with a very brief discussion of Laurent Nottale's work on scale relativity. I wish the authors would have spent much more time on this, because I believe this could hold the key for unifying GR and quantum physics.

There is a fairly comprehensive treatment of cellular biology and evidence of psi phenomenon. I think the authors could have expanded this into a hypothetical explanation of consciousness, but they stopped short of doing that.

I found a few minor inaccuracies here and there, but nothing worth mentioning in this review. There was one very irritating thing about the Kindle version of this book: Words were broken up quite frequently, which made the book difficult to read. For example, a word like "fortunate" would appear with a space in the middle like this: "fort unate". This didn't happen only a few times, but several times on every page.

The part I found most objectionable was the one on "harmonizing" with the environment, including physical alignments with planets and the center of the galaxy. These alignments supposedly have something to do with astrology and the "Shift" that occurred in December, 2012 when the Sun aligned with the Earth's orbit and center of our galaxy. Fine, but at least provide some hypothetical rationale why that alignment should matter.

I gave CosMos a rather mixed review because parts of it were scientifically spot on while the later parts incorporated a New Age belief system with very little to back it up. Appeals to ancient religious beliefs, such as shamanism, are worthless in my opinion.

The final chapters that delved into social patterns were worthwhile from the standpoint that they served as a warning that humanity is standing on the precipice of destruction and we had better get or act together -- and soon. Biologist are warning that the Earth is undergoing its seventh mass extinction, and our collective ignorance and greed are causing it. But I'm not convinced that we're going to experience a consciousness shift and become enlightened before that happens; in fact, it seems like we're pretty much heading in the opposite direction.

I'd give CosMos a partial thumbs up, but I recommend reading only the first half carefully and skimming over the second half.

https://sites.google.com/site/amateurscientistessays/'

1 of 1 people found the following review helpful.
excellent read
By Dirk Hardy
Highly informed, accessible , capturing the essence of what is surely the next jump in human evolution. Provided we don't exterminate ourselves before we wake up. I enjoyed reading this iBook .

1 of 37 people found the following review helpful.
An (not)other science fiction
By Jitka N. Ligwo
How many book of Mr. Laszlo - how mach paper. But not science - only poor understanding of real nature.

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[G117.Ebook] PDF Download This Family of Mine: What It Was Like Growing Up Gotti, by Victoria Gotti

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This Family of Mine: What It Was Like Growing Up Gotti, by Victoria Gotti

THE ASTONISHING NEW YORK TIMES BESTSELLER

The No-Holds-Barred Truth About Life Inside the Gotti Dynasty—Told by Their Most Famous Daughter

Victoria Gotti never intended to reveal the inside story of the Gotti household—the day-to-day life of a family that has sparked scandalous rumors and sensational headlines for decades. But with the pressing need to finally set the record straight came the realization that only she can do so, once and for all. Daughter to the late John Gotti, sister to John A. “Junior” Gotti and three other siblings, single mother to three sons with whom she shared reality television stardom on Growing Up Gotti, an outspoken columnist and bestselling author, Victoria Gotti delivers a candid, colorful, and brutally honest family portrait that reads like a confidential file, filled with deeply personal reflections, bombshell revelations, and stunning insider secrets.

The explosive memoir that captures the Gottis as they are—unvarnished, raw, and real—This Family of Mine is the essential chronicle in the ultimate American family saga.

  • Sales Rank: #5356606 in Books
  • Published on: 2010-12-28
  • Released on: 2010-12-28
  • Format: Bargain Price
  • Number of items: 1
  • Dimensions: 1.14" h x 4.28" w x 6.72" l,
  • Binding: Mass Market Paperback
  • 416 pages

Excerpt. © Reprinted by permission. All rights reserved.
This Family of Mine CHAPTER ONE “Papa Was a Rolling Stone”
Winter 1952

The door blew open with driving force; shards of wood like shrapnel sprayed the cold, cramped Brooklyn railroad flat. To a twelve-year-old, the U.S. Marshal’s arrival came in the form of an unfathomable explosion that would haunt his dreams into adulthood. Two local police officers and one marshal from the housing department had been dispatched to evict a poor and hungry family of thirteen—despite the fact that Christmas was less than one week away.

My father lay huddled with his six brothers, all forced to survive in one room, on two mattresses, in the musty three-room apartment. It was in the dead of winter and none of the Gotti children—seven boys and four girls, ages five to sixteen—had clothing suitable for protection against the elements. Dad would later recall that evening as being not only unbearably cold but accompanied by a dark, empty sky.

The Gotti children were accustomed to sharing tight quarters. If it seemed unnatural, even cruel, it was nonetheless preferable to sleeping on a cold bare floor “or being homeless,” as my father used to say. The family bounced around in those years, from a poverty-stricken section of the South Bronx to a modest apartment in Sheepshead Bay, Brooklyn. My grandfather, John Senior, made some money in an all-night card game and moved the family into a middle-class neighborhood; however, it wasn’t long before his luck (and money) ran out. Within a few months the Gotti clan ended up in more humble surroundings, a shabby apartment in Downtown Brooklyn. “Times were hard,” my father said. “And they were about to get a lot harder.”

The eviction in 1952 was swift and heartless. Dressed only in worn flimsy garments, the Gotti children and their mother, Fannie, stood shivering in front of the dilapidated apartment complex that only a few minutes earlier had been their home. John Senior was out that night, off on one of his business trips. Monthly rent on the apartment was a paltry sum, but even that proved more than my grandfather could manage.

Philomena “Fannie” DeCarlo Gotti was a hardworking housewife who often took on odd jobs outside the home—doing the neighbors’ laundry, cleaning apartments, bagging groceries at a local market to help make ends meet. But lately there never seemed to be enough money. The family was barely able to keep food on the table and heat in the apartment. Conversely, my grandfather, John Joseph Gotti, was a perpetual adolescent, forever in search of excitement and fun. An avid gambler, drinker, and womanizer, he rarely held a steady job; whenever he got the “itch,” as Grandma called it, he would take off for parts unknown, typically accompanied by some barmaid he’d only recently met.

There were times when Grandpa hit the road on one of his so-called “business trips” and didn’t return for months. For a while he had a job as a camera grip for a major film studio and even traveled to Hollywood on one occasion. This failed to result in any sort of legitimate career, but it did produce a handful of entertaining tales. My grandfather was fond of embellishment, and so he would tell anyone within earshot of his work-related war stories, like the time he met Jane Russell.

During the filming of Gentlemen Prefer Blondes, Grandpa swore the gorgeous actress was attracted to him (forget for a moment the professional chasm that separated the lowly tech and the leading lady), and that she looked for excuses to talk to him. According to his story, she even winked at him on occasion.

Then there was the time he met Tony Curtis at the studio commissary. Grandpa insisted the two had become fast friends.

“That guy is a class act,” Grandpa had often said. Then he would smile and laugh. “Very personable, too.”

So instantaneous was their bond that Grandpa and Tony Curtis went out together that very night and took the town by storm. They drank themselves blind, eventually winding up in a seedy motel with a “couple of real lookers.” Or so Grandpa claimed, anyway.

The odd brush with greatness apparently was far more important to my grandfather than the mundane responsibilities of family life. It seemed not to matter that he had a large family to feed, or that there was never enough money to pay the rent or heating bill. And every so often, the Gotti family was kicked to the curb.

This naturally produced a degree of cynicism in my father, who years later would erupt any time he read a cliché-ridden newspaper article or book that described Grandpa as a hardworking Italian immigrant.

“These fuckin’ bums that write books—they’re worse than us,” he would rail. “Lies. All lies! My father was born in New Jersey. He’s never been to Italy in his whole fuckin’ life. He never worked a day in his life. He was a rolling stone. He never provided for his family. He never did nothin’. He never earned nothin’. And we never had nothin’.”

DAD RECALLED HIS mother’s reaction while standing at the curb on the night of the eviction, in the freezing cold, wearing a tattered sweater over a worn and faded house-dress. She was only in her mid-thirties, but looked closer to fifty. The years, overloading her with work and anxiety and neglect, had not been kind to her. Grandma was a “cold woman,” Dad often said, hardened by years of sacrifice and disappointment. Mostly, Dad blamed his father for this. A man was supposed to take care of his family: put a roof over their heads, food in their bellies, and keep them warm in proper winter clothing. But, rather than struggle to fulfill his responsibilities and obligations, Grandpa chose instead to run—usually to the nearest bar to drown himself in his failure as a husband and father.

On this evening my father saw that she was understandably upset. Although Grandma rarely showed weakness in front of her children, the tears streamed down her cheeks. She stared at the old apartment building, then out at the street, and then back to the apartment building. Her eyes, my father noticed, were empty and sad, and the expression on her face frightened him.

The Gotti clan stood shivering outside for nearly an hour that night, a mid-winter drizzle chilling them to the bone. “An hour,” Dad said. “But it felt like an eternity.”

Exhausted and fearing for the welfare of her children, Grandma finally took action, marching the entire, rain-soaked clan nearly a mile through the streets of Brooklyn to the House of the Good Shepherd, a church-sponsored residence for “wayward girls” (the facility catered to young, single women who had unplanned pregnancies). It must have been painful for Grandma to beg—she was a proud woman, after all—but that is what she did. For the sake of her children, she asked for mercy, and Sister Mary Margaret, dressed head-to-toe in black, responded with kindness, showing Grandma and the Gotti children to the building’s attic.

In reality, it wasn’t really an attic at all; it was a four-room apartment, a conversion made in the early 1940s to accommodate housing needs for the staff. Although the apartment had only an efficiency kitchenette, it was better than nothing, and Grandma saw its potential. The living room was really more of an alcove, adjacent to the kitchenette; it would likely serve as a fourth bedroom for the oldest male children. The two other rooms would be shared by Grandma and the remaining children, including my father, at least until Grandpa could find his way to the family’s new home. No one knew when that would be, but at that point, one of the three bedrooms would then be used as a master, resulting in eleven children sharing two small rooms. Tight quarters, to be sure, but, as Dad explained, “It was definitely better than the alternative.”

The days that followed would prove nearly as bleak. At the age of twelve, Dad was forced to hit the streets and find work, as were the other Gotti children. Everyone was expected to pull their own weight, especially the boys.

Dad combed the neighborhood looking for employment. Options, he quickly learned, were limited. A corner service station on Fulton Street had recently dismissed two mechanics in an effort to cut costs. A local deli already had two full-time day workers and three part-time night staffers. The manager at the A&P supermarket offered little encouragement, telling Dad he was too young for anything but carrying bags for customers. My father gave that one a moment’s consideration before spotting a crowd of eager boys fighting over customers in the parking lot. Realizing that his pay would consist only of tips, and that the store already seemed overstaffed, he walked away.

Not enough customers, not enough hours, not enough money.

SIX WEEKS LATER, my grandfather ambled down the street to the House of the Good Shepherd, having easily tracked the family down through a network of friends and acquaintances. Along the way, he’d been told of the eviction and the dire circumstances faced by those whom he had abandoned. If his father felt guilt or remorse, Dad said, it wasn’t readily apparent. Accountability was not high on Grandpa’s list of virtues. He preferred to play the victim, forever damning the world and cursing God for having dealt him a raw hand. And so he rationalized his behavior and his vices—the alcohol, gambling, loose women, and the nasty temper as well.

Grandpa turned up at the attic apartment late one night, itching for an argument with my grandmother. At first he rang the bell and waited patiently, but there was no answer. After three tries, he began pounding the door like an impulsive child—pounding and kicking with such force that Sister Mary Margaret nearly called the police. Realizing who the belligerent man was, she told him, “Please, sir. Use the top bell.”

MEANWHILE, OBLIVIOUS TO the commotion three stories below, my grandmother and her brood slept peacefully. Of all the Gotti children, only two were awake. Dad was restless and couldn’t sleep, and one of his younger brothers, I believe Ritchie, was wide awake because he had to go to the bathroom. Since there were seven boys in a single room, and only two beds for them to share, the Gotti sons took turns. One night someone was lucky to get a semi-comfortable cot, and the next one was handed an old army blanket and relegated to sleeping on the floor. That particular night, my father was lucky to have been assigned a cot.

Or so he thought.

Since the attic apartment was a considerable distance from the main plumbing, a bathroom had never been installed. What had begun as a generous offer of temporary shelter for my grandmother and her children had evolved into a more permanent arrangement. In exchange for room and board, my grandmother was expected to clean and maintain the House of the Good Shepherd. This meant washing and waxing the massive wood floors every night, as well as cleaning the mess hall after dinner. And there were additional duties: monthly window cleaning, repairing and sewing (such as pillows, blankets, and quilts), and any other household repairs that had been neglected. Given that my grandmother already had a full-time job at a local butcher shop, this wasn’t the most ideal arrangement, and it surely took its toll on her health and temperament. But it was the best that Grandma could manage at the time; until she had saved enough money to rent another apartment, or until her husband returned (hopefully with a few dollars in his pocket), it would have to do.

The bathroom was actually one floor below the attic apartment, and since heat was scarce throughout the old building, the hallway was usually frigid. Not surprisingly, the Gotti children dreaded those nights when they had to navigate a cold and unwieldy trip to the bathroom. Dad would slide out from under his blanket and weave his way through a minefield of sleeping bodies, all the while shivering uncontrollably. If he was unlucky enough to step on someone’s hand or foot, the ensuing yelping and fighting would provoke an angry appearance from my grandmother—something none of the kids wanted.

While Dad continued to toss and turn, his brother Ritchie fought the urge to pee as long as he could—and when the pressure turned to pain, he jumped from the bed and stumbled toward the door. As luck would have it, the door wouldn’t open. Uncle Ritchie desperately jiggled the handle from side to side, pushing in the door, ever so slightly, and then pulling back.

Push . . . pull. Push . . . pull.

Still nothing.

With Ritchie’s bladder on the verge of giving out, he frantically sought another option. He looked around the room for a container, anything he could use to relieve himself. But a quick scan turned up nothing. He was ready to explode. Dad watched his brother make a mad dash for the bedroom window rather than soil himself or his cot. He ripped it open, and peed into the cold night air. How could he possibly know Grandpa was standing beneath the window?

My grandfather was a terror; his ill temper had the shortest of fuses. Beatings were the norm; even at twelve, Dad couldn’t escape them. Sometimes the violence was so severe that my father would miss school for days; the blackened eyes, swollen lips, and bruises too painful and shameful to be shown in public. The poverty and abuse, both mental and physical, that my father experienced as a child helped shape his outlook as much as anything else.

When my grandfather finally made it inside and upstairs to the attic apartment, he headed for the back bedroom—straight for the person responsible for his unexpected shower. Of course, my father was scared speechless. He hopped back into bed and pulled the old army blanket up over his head, trying hard to stop trembling. My grandfather pushed in the old wooden door and stormed into the room, stepping over bodies, poking each kid with the tip of an umbrella. The first to jump, he figured, was the one already awake, and thus the most likely culprit. But Uncle Ritchie lay still as a rock—while Dad, still unable to sleep, tossed and turned. He jumped when Grandpa poked him. So naturally, he got the blame.

The beating Dad endured that night was worse than any he’d ever received before. His face was so badly bruised that my grandmother pulled him out of school for several days. As a boy, Dad and his siblings did their best to avoid pissing off their father; what none of them had counted on was the possibility of pissing on their father.

THE FOLLOWING WEEK, my father managed to get a job delivering laundry. He worked after school and all day Saturday for fifty cents an hour, plus tips. He used an old pushcart with rusty wheels to haul the large packages around Downtown Brooklyn, about a mile or so from the Gotti household. At the end of the week he handed his pay over to my grandmother, keeping only $1.50 for himself. The fact that Dad was forced to turn over most of his wages didn’t bother him in the least; mature beyond his years, he felt proud of being able to help support his family.

Unfortunately, his happiness was short-lived. Three months later, in the spring of 1952, my grandfather got restless and left home again. This time my grandmother fell apart. To my father’s eyes, the change was remarkable. Fannie became depressed and withdrawn. Nothing seemed to matter anymore.

The days that followed were dark times for the entire family. And for a twelve-year-old, Dad shouldered an unusually heavy burden. It wasn’t just the beatings that had stripped him of his innocence; it was the constant verbal abuse dished out by my grandfather. As my father once said to me, “How many times can a kid hear that he’s a piece of shit before he begins to believe it? How many times can a kid hear that he’ll never amount to nothing, because he is nothing?”

According to Dad, there were two strict rules necessary for survival in the Gotti household (at least whenever my grandfather was in residence): “Keep your mouth shut—and run like hell.” Usually he received advance warning before an actual event took place. Simply listening to my grandfather’s rants provided insight as to what was likely to happen next. Still, there was no way to know for certain when the proverbial shit would hit the fan.

Perhaps the most cataclysmic event took place in the middle of the night in mid-February 1952. Sister Mary Margaret roused the Gotti children from a comfortable sleep and gathered the family in a downstairs parlor. Dad knew that something was terribly wrong. Where was their mother? Even Sister Mary Margaret’s offer of hot chocolate and cookies couldn’t mask the dread and fear that hung in the air.

The children, who lived in a state of perpetual hunger, ate voraciously, anyway. When they were finished, Sister Mary Margaret calmly issued the bad news. Their mother had fallen “ill,” euphemistically referred to back then as “exhaustion.” Today, of course, the condition is more commonly referred to as depression. In its most severe form, it results in a complete emotional collapse. The years of trauma had finally exacted their toll, all the bickering and fighting, the sickness that permeated every aspect of her marriage to my grandfather. It had become too much for Fannie to bear, and when my grandfather took off the last time, she withdrew into herself, to the only place, perhaps, where she felt safe.

Grandma, Sister Mary Margaret explained to Dad and his brothers and sisters, had been admitted to a local hospital and placed in the “hardship ward.” Because there were no relatives willing to accept financial and custodial responsibility, the Gotti family was effectively splintered. The children were separated and sent to various places, some more toxic than others. Most of the kids went to live with old neighbors who had become friends; a few weren’t as fortunate. My father and his older brother, Pete, for example, drew the shortest straws and were dropped off at the Brooklyn Home for Boys, not knowing when—or if—their mother would ever come back for them.

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3 of 3 people found the following review helpful.
A Sugar-Coated Look Inside the House of John Gotti
By jg
I'm not going to lie: I watched (and loved) Growing Up Gotti... But push the Gotti Boys aside and enter the world of Gotti long before an A&E debut.

Wonder what life was really like growing up with John Gotti as your father? Well... Victoria Gotti will offer you a fairly sugary version of the man the world now refers to as one of the most infamous mobsters of all time. While I tend to think that Victoria does put herself (and her family life) out there, there's no masking her loyalty and sentimentality towards her family.

Is this a bad thing? Well, it depends on why you're reading. If you're hoping for a daughter to sell out her father and dish out the very dirty details, you won't find it here. If you want a glimpse in to Victoria's world, even if one does get the idea some of it is seen through rose coloured glasses, you'll enjoy this book. While I believe Victoria's emotions are real, the simple fact is that there are many incidents which may be glossed over leaving the reader to believe the truth is probably somewhere in the middle of this version and that of the media. All in all, a good beach read for me.

2 of 2 people found the following review helpful.
I had seen Victoria Gotti on The Housewives of New ...
By Jan Genovese
I had seen Victoria Gotti on The Housewives of New Jersey and was curious to know more about her so I read this life story. Whoa! She comes off as very tough and street-smart, almost hardened by life, and now I know why. Her life was crazy! Along with bearing the emotional burden of having a father in "the life" (who was in and out of jail through her upbringing) she had the physical curse of a body that suffered pure mayhem! To say this family existed on sheer drama is an understatement. It seems every time her phone rang, Victoria was facing yet another family crisis. Her mother's emotional burdens were not to be believed. And her father! How could she reconcile his ferocious, electrifying personality, full of compassion for others, with his heinous acts? There is one word for Victoria Gotti: survivor.

1 of 1 people found the following review helpful.
Very interesting and entertaining
By Patricia Kershman
Good book. A history of the mob families in New York. John Gotti Sr. was a smart criminal, born aggressive leader, had a tough, abusive childhood, you almost feel sorry for him when you read about the extreme child abuse and poverty he endured as a child. However, a lot of us had a poor childhood, and we finished school, some went on to college, and became successful adults without committing crimes and going to jail. I wish for his kids and wife he would have put that energy and smarts in building a successful legal business for his family. Victoria has 9 lives, suffered years of illness and surgeries. With her health history, she survived and lived the good life and supported her kids in a nice lifestyle. Where most women just give up, she kept going and going. She's got guts! I hope she has a lot of success with the book because of her hard work and struggles in life. Good luck Victoria and write another about your mom. She deserves an award for being married to John Gotti Sr. I would like to hear her story before she gets too old and forgets.

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Sabtu, 17 Januari 2015

[I560.Ebook] PDF Download Biomechanics: Motion, Flow, Stress, and Growth

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Biomechanics: Motion, Flow, Stress, and Growth

  • Sales Rank: #8785467 in Books
  • Published on: 1990-06-26
  • Binding: Hardcover

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Senin, 12 Januari 2015

[Y327.Ebook] Download The Hidden Chorus: Echoes of Genre in Tragic Lyric (Oxford Classical Monographs), by L. A. Swift

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The Hidden Chorus: Echoes of Genre in Tragic Lyric (Oxford Classical Monographs), by L. A. Swift

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The Hidden Chorus: Echoes of Genre in Tragic Lyric (Oxford Classical Monographs), by L. A. Swift

The Hidden Chorus investigates the relationship between the chorus of Greek tragedy and other types of choral song in Greek society. Choruses performed on a range of occasions in Greek culture, ranging from private weddings and funerals to large-scale religious festivals, yet the relationship between these everyday or 'ritual' choruses and the choruses of tragedy has never been systematically examined. L. A. Swift discusses choruses from five ritual genres: paian (religious songs of celebration or healing), epinikion (songs for athletic victors), partheneia (songs for the transitions of young girls), hymenaios (wedding song), and thr�nos (funerary song), and explores how these choral forms are evoked in tragedy. By examining the relationship between tragic and non-tragic choral song, she not only provides new insights into individual plays, but also enriches our understanding of the role poetry and song played in Greek life.

  • Sales Rank: #5014505 in Books
  • Published on: 2010-02-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.80" h x 1.40" w x 8.60" l, 1.55 pounds
  • Binding: Hardcover
  • 472 pages

Review

"An invaluable resource that enriches our understanding of the broad interface between choral lyric and tragedy."--Rosa M. Adujar, Classical World


"Swift explores the more complex sphere of what she called generic 'interaction'...it's clear and decisive articulation in Swift's book is long overdue"--Anna S. Uhlig, Princton University


About the Author

L. A. Swift is Junior Research Fellow in Classics, Trinity College, Oxford.

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Jumat, 09 Januari 2015

[X110.Ebook] PDF Download Natural Therapies for Parkinson's Disease, by Robert Rodgers PhD

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Natural Therapies for Parkinson's Disease, by Robert Rodgers PhD

Natural Therapies for Parkinsons Disease is one chapter which has been extracted from the comprehensive work on Parkinson's by Robert Rodgers, Ph.D. entitled Road to Recovery from Parkinsons Disease. Natural therapies for the following symptoms are discussed: Dyskinesia, Tremors, Lack of Arm Swing, Frozen Shoulder, Foot Dragging, Falls, Freezing, Sleep Disorders and Insomnia, Eye Problems, Depression, Rigidity, Facial Rigidity, Constipation, Dehydration in the Body, Memory Loss, Pain, Restless Leg Syndrome, Salivation, Stress, Sweating,Swallowing Problems.

  • Sales Rank: #11701539 in Books
  • Published on: 2014-02-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .8" w x 8.50" l, .23 pounds
  • Binding: Paperback
  • 34 pages

About the Author
Robert Rodgers, Ph.D., has a passion for helping persons with Parkinson's feel better using natural methods. His mother, diagnosed with Parkinson’s disease, elected to take a variety of prescription drugs to treat her Parkinson’s symptoms, her depression and other medical problems. She eventually died from a coma that was aggravated by the deadly combination of medications she had been taking. After graduating from Vanderbilt University with his undergraduate degree and Cornell University with his master’s degree, Robert earned his Ph.D. from Michigan State University in 1981. He served as a faculty member at the University of Texas at Austin in the 1980's and was a professor and Director of the Ph.D. and MHA programs at the University of Kentucky during the 1990's. Robert left his comfortable university lifestyle in 2003 to found Zero Point Healers with Deborah Russell. He now pursues his passion for discovering natural remedies and therapies that heal chronic illness. Since 2005 Robert has focused on helping persons with Parkinson's disease find relief from their symptoms using natural methods and approaches. He is also a foreclosure mediator for the state of Washington and a senior mediator with the Dispute Resolution Center in Olympia, Washington.

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Selasa, 06 Januari 2015

[X974.Ebook] Free PDF Indecent Exposures: Bunuel, Almodovar, Etc. (Bunuel, Saura, Erice and Almodovar), by Gwynne Edwards

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Indecent Exposures: Bunuel, Almodovar, Etc. (Bunuel, Saura, Erice and Almodovar), by Gwynne Edwards

Book by Edwards, Gwynne

  • Sales Rank: #4017650 in Books
  • Brand: Brand: Marion Boyars Publishers Ltd
  • Published on: 2000-07-01
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.53" h x .73" w x 5.35" l, .61 pounds
  • Binding: Paperback
  • 240 pages
Features
  • Used Book in Good Condition

Review
Turning their faces away from Hollywood, except to exploit it as the purveyor of old and recyclable cliches, and towards the ruthless exposure of hypocrisy and repression, the four Spanish filmmakers Bunuel, Saura, Erice, and Almodovar have created a unique and distinctive body of work, making the most vibrant and iconoclastic contribution to twentieth-century film. Gwynne Edwards' Indecent Exposures depicts a world where middle class values collapse, and the facade of good manners, social propriety and the edicts of political expediency and established religion have all been thrown aside. Such cinema classics as Bunuel's Viridiana, Saura's Raise Ravens, Erice's The Spirit of the Beehive, and Almodovar's High Heels (as well as six more contemporary films by the same directors) are analyzed in great depth, their major and minor themes discussed and set against both their social and political context and the concerns reflected in the directors' own lives. -- Midwest Book Review

From the Back Cover
The political turmoil of the Spanish Civil War, together with the attendant cultural isolationism which Franco's repressive regime imposed upon the Spanish people has ironically fostered a strong tradition of subversive film makers dedicated to challenging the assumed realities of the status quo. Intent upon the ruthless exposure of hypocrisy and repression, the four Spanish directors, Bunuel, Saura, Erice and Almodovar have created a unique and distinctive body of work. Gwynne Edwards' Indecent Exposures gives the reader a first-class introduction to ten of their films, depicting a world where bourgeois values have collapsed, and the facades of good manners, political expediency and social propriety have all been thrown aside. Such cinema classics as Bunuel's Viridiana, Saura's Raise Ravens, Erice's Spirit of the Beehive and Almodovar's Women on the Verge of a Nervous Breakdown are all analyzed in great depth, their major and minor themes discussed and set against both the social and political contexts of the time and the concerns reflected in the directors' own lives. Indecent Exposures is essential reading for anyone interested in Spanish cinema; perhaps one of the most vibrant and iconoclastic contributions to this twentieth-century medium.

About the Author
Gwynne Edwards is a lecturer in Spanish at University of Wales.

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Minggu, 04 Januari 2015

[R675.Ebook] Download Arthur and the Scare-Your-Pants-Off Club: An Arthur Chapter Book (Arthur Chapter Books), by Marc Brown

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Arthur and the Scare-Your-Pants-Off Club: An Arthur Chapter Book (Arthur Chapter Books), by Marc Brown

Arthur and his friends wait for the latest Scare-Your-Pants-Off Club book to hit the library shelves. When the book arrives, crowds of kids rush over-only to be told that the series has been banned! Arthur, Francine, Buster, and the rest of the gang make a plan. Can their scheme get their books back? In chapter-book format, for children who are ready to read on their own, this intriguing adventure will surely be a hit among Arthur fans.

  • Sales Rank: #288983 in Books
  • Color: Other
  • Brand: Little, Brown Books for Young Readers
  • Published on: 1998-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.75" h x .25" w x 5.25" l, .16 pounds
  • Binding: Paperback
  • 64 pages

From School Library Journal
Kindergarten-Grade 3AThese two titles are part of a series of chapter-book novelizations of PBS's Arthur episodes. Even though the covers proclaim "A Marc Brown Arthur" and show a photograph of Brown on the jackets, the books themselves have been written by someone else, and are based on teleplays created by yet other authors. The texts are interspersed with black-and-white illustrations. Arthur and the Scare-Your-Pants-Off Club deals with an unusual theme for primary-grade audiencesAcensorship. Angry parents have demanded that a series of scary books be banned from the public library because they believe they are frightening their children, and Arthur and his friends decide to fight back. Arthur's Mystery Envelope concerns the young aardvark's curiosity and anxiety when the principal gives him an envelope to take home marked "PRIVATE and CONFIDENTIAL." His desire to be honest is tempered by his fear of negative consequences as he wrestles with the dilemma of whether to deliver the envelope or to "lose" it. The reading level of these books is problematic: the vocabulary exceeds that of average third graders, yet the audience of the Arthur show is usually much younger. They could be used as read-alouds, and would undoubtedly appeal to children who watch the program and to precocious younger readers.ALinda W. Tilden, Cherry Hill Library, NJ
Copyright 1998 Reed Business Information, Inc.

About the Author
Marc Brown is the creator of the bestselling Arthur Adventure book series and creative producer of the number-one children's PBS television series, Arthur. He has also created a second book series featuring D.W., Arthur's little sister, as well as numerous other books for children. Marc Brown lives with his family in Tisbury, Martha's Vineyard.

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2 of 2 people found the following review helpful.
Examining censorship
By Chess Heart
Arthur and the gang are not-so-patiently waiting for the next installment in the Scare-Your-Pants-Off Book club. They’ve read all the others in the series, like “Curse of the Mummy’s Breath” and “Zombie Substitute Teacher” and can’t wait for the next one to come out.
The day it’s due to arrive at the library, the gang is poised, having all but camped out overnight to be the first in line to check it out and read it. You can imagine their surprise when they find out that it has been banned from the public library! A group of concerned parents have decided that it’s not appropriate for children and to have had it removed! What’s the gang to do? Is there any way Arthur and his friends can get the book back so everyone can enjoy it? A surprise ending is in store for the reader, making this a fun page-turner.
Marc Brown’s Arthur is one of the best-known characters in children’s literature today. He’s seen on television, has large format picture books and also the Arthur Adventure series, of which this title is #2. Intended for intermediate, independent readers who have graduated to short chapter books, the Arthur books are easy to read, a lot of fun, and encourage readers to think about their world and the different issues of friendship, family or in the case of “Scare-Your-Pants-Off Club”, censorship....
I have used “Scare-Your-Pants-Off Club” in my own classroom many times and found that it’s a great way to stimulate conversation and thinking among my students (one cryptically hinted that maybe we should ban THIS book as well!!). My point in using it as a social studies tool isn’t to agree or disagree with students so much as it is to get them to THINK—- “tell me your feelings about censorship, but back it up with reasoning and research” is how I address the issue. This in turn allows the student not only to voice their own opinion, but to examine their feelings and opinions as well; too many times in our culture we allow other folks to do our thinking for us.
Mr. Brown has done an excellent job of taking a very complicated issue in our society and presenting it to young readers in an understandable and intelligent way. I appreciate and applaud authors who not only aim to entertain their readers, but encourage them to think about themselves and their world. Hats off, Mr. Brown!! You’ve done it again!!

0 of 0 people found the following review helpful.
Excellent, Engaging Story About Censorship and Activism
By Tara
Kids who are already fans of Arthur and his adventures in the PBS cartoon series will truly love "Arthur and the Scare-Your-Pants-Off-Club." Children who've never met Arthur and his gang are in for a treat! Arthur and his friends, Francine, Buster, Sue Ellen, and the Brain, are eagerly anticipating the newest release of the "Scare-Your-Pants-Off-Club" book. Avid fans, they join a growing line of young readers ready to storm the library and check out the next spooky story in the series. Soon, though, their excited anticipation turns to confused disappointment. The "Scare-Your-Pants-Off-Club" books are no longer available. They have been banned from the library, and removed from its shelves. The kids soon learn that a parents' group has formed against the series, and another friend's parents are leading the charge! Our heroes soon organize a group of their own, determined to rally kids and adults alike to bring the books back into the library and into the hands of eager young readers.

"Arthur and the Scare-Your-Pants-Off-Club" delicately addresses complex issues of morality. Within the 58 pages of this story, our gang learns:
*Adults don't always make accurate, informed decisions.
*There are time when you may have to fight to keep the things you love.
*Sometimes you have to make sacrifices for a good cause.
*Activism can help you get your message out to the right people.

Censorship affects us our whole lives, and this "Arthur" book give parents the opportunity to discuss why censorship exists, and how we strive to strike a balance between freedom of thought and protecting society from ideas that might be harmful. These lessons are all taught in an effective, entertaining, and age-appropriate way, and any young chapter book reader will immediately empathize with Arthur and his troubles.

0 of 0 people found the following review helpful.
Powerful Story About Censorship
By George Buttner
This second Arthur TV Chapter Book is an insightful look at attempts to censor literature read by children. Adapted by Stephen Krensky, based on a TV Story by Terence Taylor, "Arthur and the Scare-Your-Pants-Off Club" finds the kids of Elwood City shocked.

They've been waiting eagerly outside the library on a Saturday for the newest release in their favorite book series, "The Scare-Your-Pants-Off Club." Just when they think they're about to get the new book, the librarian Ms. Paige Turner appears with a startling announcement --- due to concerns by a parents group called P.A.W.S., all books in the series have been pulled from the library shelves.

After a discussion of past times that they wanted something and didn't give up, Arthur and his friends formulate a plan of action. They get to work, but will their efforts be enough to return the books to the shelves? And just what does this P.A.W.S. group have against these books anyway?

This book was released in 1998 and the "Scare-Your-Pants-Off" books largely resemble the "Goosebumps" series by R.L. Stine. But readers will most likely be reminded of the fervor of fans of the "Harry Potter" series and the attempts that have been made to censor it. Regardless of where the reader might stand, this book has strong lessons about standing up for what you believe in and taking the time to know all the facts before making any decisions.

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Jumat, 02 Januari 2015

[W123.Ebook] Ebook Free Delinquency Theories: Appraisals and applications, by John P. Hoffmann

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Delinquency Theories: Appraisals and applications, by John P. Hoffmann

Delinquency Theories: Appraisals and applications provides a fulsome and accessible overview of contemporary theories of juvenile delinquency.

The book opens with a comprehensive description of what a theory is, and explains how theories are created in the social sciences. Following on, each subsequent chapter is dedicated to describing an individual theory, broken down and illustrated within four distinct sections. Initially, each chapter tells the tale of a delinquent youth, and from this example a thorough review of the particular theory and related research can be undertaken to explain the youth’s delinquent behaviour. The third and fourth sections of each chapter critically analyze the theories, and provide a straightforward discussion of policy implications of each, thus encouraging readers to evaluate the usefulness of these theories and also to consider the relationship between theory and policy.

This text is an invaluable resource for both undergraduate and graduate students of subjects such as youth justice, delinquency, social theory, and criminology.

  • Sales Rank: #3167706 in Books
  • Published on: 2011-05-04
  • Released on: 2011-03-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .73" w x 6.14" l, 1.00 pounds
  • Binding: Paperback
  • 320 pages

About the Author

John P. Hoffmann is Professor of Sociology at Brigham Young University. His research interests include the etiology of juvenile delinquency and drug use over the life course. His research has appeared in Criminology, The Journal of Quantitative Criminology, and other journals.

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